Product details
To Install & Use This Library Requires KONTAKT PRO You Have To Download KONTAKT PRO First From Our Website
Specs
Full version of Kontakt 5.8.1 (or higher) required – not compatible with Kontakt Player
Over 11 GB of samples (uncompressed, 1540 samples in total)
Over 120 sound sources
123 presets (plus another 30 presets from audio demos)
Samples recorded on 4 different decks
4 noise samples
Organic sound with lots of little imperfections
Convolution Reverb with custom impulses (spring, hall, corridor)
Lots of sound design options
Quick Guide
Texture Mozaik GUI was designed to be very logical and as user friendly as possible but it’s always better to have some kind of guidance – especially when, like in Texture Mozaik, there’s a lot of editable parameters. This QUICK GUIDE section is to provide quick help for functions that aren’t as straightforward as, for example simple Filter Cutoff knob.
Most of the information from the QUICK GUIDE are also explained in the Introduction video below, so we highly recommend to watch it if you’re interested in this instrument.
FX / Mix Modulation
Here you can adjust the parameters of available INSERT EFFECTS, turn them On and Off and load pre-made presets. It’s also possible to save and load your own presets (more on that in the Introduction video below or Quick Guide inside instrument).
There’s also the step sequencer (synced to host tempo) for modulating the MIX knob – it’s possible to change the speed / length of the step sequencer using the LENGTH menu. It’s also possible to randomise the value of every step with RANDOM button or to reset it with RESET button.
Like in the Insert Effects section – it’s also possible to load pre-made presets or even save your own presets for the MIX MOD sequencer (more on that in the Introduction video below or Quick Guide inside instrument).
Source
That’s the main part of the instrument – here you can load sound sources for Source A,B and C and shape them to your needs using for example volume envelope, filter, lfo and pitch envelope or even randomise some of the parameters using RANDOM button.
You can mix SOURCE A and SOURCE B using the MIX knob, MIDI controller or MIX MOD (step sequencer – more on that in the Introduction video below or Quick Guide inside instrument).
It’s also possible to change the sample start of every sound source or even alter the position and length of the loop in each sound sources if the Loop Edit mode is active (more on that in the Introduction video below or Quick Guide inside instrument).
In the bottom part (below SOURCE C) there are controls for WOW and FLUTTER which let you dial additional pitch instability to the sound (on top of the natural Wow and Flutter added to the samples by wonky cassette recorders).
There are also controls for adjusting the COLOR and volume (MIX) of noise, plus a menu to choose from 4 different noise samples.
Finally, there are two send effects – Convolution reverb (with custom impulse responses: 4 spring impulses, 4 hall impulses & 3 corridor impulses) with 2 controls: BODY (dial it in to get fuller, more metallic sound) and MIX knob. There’s also simple Delay with 3 controls: TIME, FEEDBACK and MIX.
Zoe Green –
The sounds in this library are top-notch, but the interface could be more user-friendly. Overall, though, it’s a solid addition to my music production toolkit.
Julia Dream –
I was blown away by the wide variety of textures and sounds in this library, definitely a must-have for any music producer.
Willow Dream –
The variety of textures and sounds in this plugin really helped me add depth to my tracks, but it did take some time to fully explore and understand all its capabilities.
Ryder Light –
I loved the variety of textures and the ease of use with this product. High quality sounds, would definitely recommend to other producers.