Product details
To Install & Use This Library Requires KONTAKT PRO You Have To Download KONTAKT PRO First From Our Website
System Requirements
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use .nki instrument presets included in this library. The free Kontakt “Player” and “Add Library” import process do not support this standard open-format Kontakt library. Windows 7 or higher. Mac OSX 10.9 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.
Product Specs
- 3 main powerful open-format Kontakt .nki instruments
- 20 Ambience patches created from the source content
- Synth Sustains, Staccatos, Piano, Vibraphone, Bells, Vintage Drum Loops, Hits, and Key SFX
- 20 Custom Sound-Designed FX and Ambient presets
- 8.62 GB Installed
- 7,226 Stereo Samples
- 24 bit / 48kHz Stereo uncompressed PCM wav audio
- Unlocked wav samples can be directly imported into almost any wav-compatible plugin or DAW.
CONTENTS
Yumtone H4 was recorded in a dry studio using a pair of Neumann TLM 103 large diaphragm microphones and direct line in. We recorded many stock presets with sustains, staccato, and drum loop samples. The included octave, vibrato and FX rack give you an easy-to-use interface to completely customize and shape its fat analog sound to fit a variety of creative styles.
The library comes equipped with flexible control features, like Swell, pitch Glide, Attack, Release, Vibrato, and Octave. There’s also a complete DSP effects rack, including convolution reverb with dozens of unique spaces, such as cathedrals, churches, halls, bunkers, garages, tunnels, chambers, rooms and plenty of otherworldly FX impulses to fully explore and endless variety of strange and unexpected sonic manipulations.
- Advanced performance controls, vibrato, glide speed, LFO, Filter, Arp and full FX rack.
- Synth Sustains, Staccatos, Piano, Vibraphone, Bells, Vintage Drum Loops, Hits, and Key SFX
- Turn the Glide slider up for monophonic legato functionality, or turn it down to 0 for standard polyphonic mode.
- The Octave knob gradually adds a lower and higher octave doubling effect for more body and power.
- Convolution Reverb with 119 different cathedrals, churches, chambers, rooms, halls and special effect impulses.
- A full multi-effects rack, with EQ, filter, phaser, flanger, delay, distortion, amp & speaker simulation and more.Yumtone H4 is pure digital magic. This Japanese FM synthesizer called the Electone HC-4 was introduced to the market by Yamaha in 1987. It featured two 44-note keybeds, a foot pedal system, drum/rhythm machine, velocity sensitivity, 16-operator FM voices, and a variety of buttons to control volume, instrument type, auto accompaniment, and tempo. The Electone series started as organs in the late 1950s, but transitioned to digital synthesis in the 1980s with advances in integrated circuit technology. Our library includes synth sustains, staccatos, piano, vibraphone, bells, tempo-syncable drum machine loops, hits, and key SFX. We recorded the instrument articulations in wide stereo and direct line in. After that, we crafted 20 evolving ambient pads from the source content to boost usability, and 20 custom FX presets to ignite your next composition. Yumtone H4 presents a delicious digital sampler platter of a classic FM synthesizer, complete with piping hot tonal flavors ready to complement any genre of music.We’ve packed the GUI with lots of great sound-shaping controls that give you the flexibility to warp the sound in many ways. You have control over Volume, Attack, Release, Transient Offset, Vibrato and Octave layering. The “Glide” control slider allows you to play legato and portamento leads. You’ll also find an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 13 lowpass, high-pass and FX filter, with assignable modulation control options, including velocity, modwheel, expression, after-touch, key position and step-sequencer table control. You can also use our customizable arpeggiator, with a built-in velocity sequencer table and control over arp direction, note timing, swing, randomization and duration.
Delilah Hart –
I was blown away by the quality of the sounds and the ease of use – definitely worth the investment.
Isabella Lane –
I am blown away by how realistic and expressive the instrument sounds, truly a game-changer for my music production setup. Would highly recommend to other musicians.
Delilah Hart –
I was blown away by the realistic sound quality of this virtual instrument – definitely worth the investment!
Aria Fawn –
I absolutely love the unique tones and textures available in this library – it’s definitely become a go-to for my compositions.
Thea Blue –
Really impressed with the range of unique sounds and textures, very easy to use and integrates seamlessly into my music production workflow.