Product details
Tech Specs (MAC & Windows)
- Software Type:Music Software
- Platform:, MAC & Windows
- Upgrade/Full Version:Full Unlocked
- Download/Boxed:Download
- License Type:Lifetime Activation
- Format:AAX, VST3,VST,VST2 AU, Standalone
- Hardware Requirements – PC:Intel / AMD Multi-core CPU, 4GB RAM minimum
- OS Requirements – OSX :10 or later
Wavetable, analog, granular, and harmonic engines: a quadruple threat
Wavetable synths are used to create many of the cutting-edge sounds you hear in today’s blockbuster movies, television series, and hit records. Granular synthesis is capable of creating otherworldly synth sounds by deconstructing sampled material. Harmonic additive synthesis manipulates partials for next-level sound design. And analog synthesis remains a staple of contemporary music making.
Combining modern wavetable synthesis, granular synthesis, harmonic synthesis, and analog modeling in one powerful, easy-to-use soft synth, Pigments is a synthesis platform that gives you the best of all worlds. From bombastic basses to evolving pads to molten leads, this soft synth has you covered.
Arturia Pigments lets you run up to two sound engines — a triple-oscillator virtual-analog engine, a detailed granular synthesis engine, a harmonic synth engine, or a complex wavetable engine with morphing and import — in parallel for impossibly fat sounds with off-the-charts depth, dimensionality, and harmonic richness.
Near-infinite sound-sculpting control
And to shape the sounds you generate from those sound engines, Pigments has twin filters with dozens of continuously variable filter types and continuous series/parallel routing to give you near-infinite sound-sculpting control. Choose from classic filters among Arturia’s V Collection instruments, or take a walk on the wild side and dig in deep with modern filters like Surgeon and Comb. However you shape them, the sounds coming from Arturia Pigments will take center stage in your productions.
Incredibly powerful and intuitive
Despite its awesome sonic prowess, Arturia Pigments is a ridiculously easy soft synth to use. At Sweetwater, we’re intimately familiar with the challenge of seizing that flash of inspiration and molding it into sound. It’s the most fundamental — and exciting — part of making music. Pigments streamlines that process with near-limitless patch creation and modulation options at your beck and call in an intuitive user interface that provides visual feedback every step of the way. Throw in cool features such as drag-and-drop Insert and Send routing, and sonic experimentation becomes effortless with Arturia Pigments.
A truckload of tricks up its sleeve
According to Arturia, “While Pigments can sound like other synths, no other synth can sound like Pigments.” We couldn’t agree more here at Sweetwater. Pigments’ ability to scale quantized pitch modulations lets you easily build complex melodic sequences. It offers continuous unison controls that can be modulated with classic and chord modes. Its wavetable oscillator boasts extensive wave-shaping options with unique aliasing controls. And in addition to the expected modulation sources, it has unconventional ones like the Turing and Binary random generators.
Your go-to versatile synth
Arturia Pigments also features a battery of modulators — advanced envelopes, morphing LFOs, randomizers, combinators, and more — that bring sound to life. Also featured is configurable gate/retrig handling for the modulators — great for unusual rhythmic sequences and self-generating patches. Arturia Pigments’ polyrhythmic sequencer has a strong emphasis on randomness but also has scale control to retain musicality. And the soft synth’s stunning studio-grade effects — including wavefolder, overdrive, parametric EQ, and delay — make crafting rich, evolving patches instantaneous and fun with Arturia Pigments.
What’s new in Pigments 3.5:
- 3 New Soundbanks with 450 Presets: Trap Chemical, EDM Kinetic, and Bass Thermal soundbanks included free
- 59 New Wavetables: Bringing the total to over 200
- Distortion FX Module: 13 algorithms giving you classic distortion sounds from soft clipping to heavily saturated tones
- Cross Modulation:Modulate either engine from the other to craft new textures and soundscapes
- Filter FM from Engines:Modulate filters (M12, SEM, Mini, LowPassGate) from Engine 1 and Engine 2
- Comb Filter: 3 new modes with a filter added in the feedback path
Arturia Pigments 3.5 Polychromatic Software Synthesizer Features:
- Combines 2 sound engines in parallel in one powerful, easy-to-use soft synth
- Complex wavetable engine with morphing and import
- Virtual analog engine with 3 oscillators per voice and multiple waveforms
- Granular synth engine for mind-mending soundscapes
- Harmonic synth engine enables complex additive synthesis
- Add a sub oscillator and up to 2 noise sample layers for extra depth and sonic color
- Twin filters with dozens of continuously variable filter types and continuous series/parallel routing
- Modulate anything with anything, including MIDI, envelopes, LFOs, random sources, and complex function generators
- Integrated polyrhythmic step sequencer and arpeggiator make it easy to create complex, evolving sequences and arps
- Powerful built-in studio-grade effects
- Visual interface with graphical representation of the most important modules
- Graphical editing, source-based or destination-based
- Living, moving waveform to see your sound come alive
- 4 assignable macros to control multiple parameters at once
- Ramp waveform for virtual analog engine
- Enhanced in-app tutorials
- Extensive factory preset library with hundreds of sounds from top artists and sound designers, including Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner — plus highlighting of recommended tweakable parameters
Jackson Rivers –
I was amazed at the vast sound library and easy-to-use interface, definitely a great addition to my music production arsenal!
Henry Vale –
I absolutely love the variety of sound possibilities and user-friendly interface – a game-changer for my music production!
Naomi Fields –
Loving the versatility and unique sounds this software offers, definitely worth the investment!
Naomi Fields –
I absolutely loved the range of sounds I was able to create with this software, but found the interface a bit overwhelming at first.
Gabriel Hart –
I’m really impressed with the sound quality of this software, it’s super user-friendly and has quickly become a go-to in my production workflow.